MTR Audio
Showing all 8 results
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Acoustic Foam – Proline and Studioline
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DC-8DUAL and DC-412 – Multi-Way Power Supplies for keyboards
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DI-1 and DI-2P Passive D.I. Boxes
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DI-3 and DI-2 Active D.I. Boxes / Balanced Splitter
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HPA-2 – 2 Channel Headphone Amp
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HPA-6 Six Channel Headphone Amplifier
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PPS-48 / PPS-248 – 4 Channel and 2 Channel 48v Phantom Power Supply
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Signal / Headphone Splitters
A-Designs Audio
ATM Cables
Celestion Chassis Speakers
Galaxy Audio
McGregor Amplification
MTR Audio
MTR Audio
- Acoustic Foam – Proline and Studioline
- DC-8DUAL and DC-412 – Multi-Way Power Supplies for keyboards
- DI-1 and DI-2P – Passive D.I. Boxes
- DI-3 and DI-2 – Active D.I. Boxes
- HPA-2 – Two Channel Headphone Amp
- HPA-6 – Six Channel Headphone Amplifier
- PPS-48 / PPS-248 – 4 Channel and 2 Channel 48v Phantom Power Supply
- PS-4, PS-4v, PS-8, PS-8v, PS-435, AL-22S – Signal / Headphone Splitters
RaxX
stageClix
MTR Audio
Example Testimonial
I say this quite seriously: the Pacifica went immediately to the top of my list for recording electric guitar, not on the grounds that if it can make me sound good it must be brilliant, but on the grounds that what it delivered to tape was just what the PRS/Mesa should sound like, and does sound like live, but in my experience rarely does so on record.
Eric James, Sound On Sound, September 2009
REDDI All Tube Direct Box
The sound of the REDDI all-tube direct box on my bass and guitars is dramatic. When people come in and listen, they just go “WOW what’s that? What did you do to get that sound?” “It not only delivers on bass and keys, but just out and out kills on acoustic guitars with pickups. It puts something on the sound that makes them jump and be present in the mix without that “electric-type” sound.
Ted Perlman, Grammy Award-winning producer, engineer, musician (Bob Dylan, Chicago, Elton John, Burt Bacharach).
REDDI All Tube Direct Box
Now, the REDDI is my favorite DI and definitely my go-to on bass.
Dylan Dresdow (Black Eyed Peas), Grammy Award nominee, TEC Award nominee, engineer.
REDDI All Tube Direct Box
If it needs to be really clean, then I’ll just use the REDDI.
Viktor Krauss, bassist for Lyle Lovett
REDDI All Tube Direct Box
I didn’t use an amp at all. I used only the REDDI and it sounded really, really nice.
Justin Meldal-Johnsen, bassist with Beck
REDDI All Tube Direct Box
The New REDDI DI from A Designs kicks ass…
Ross Hogarth, Grammy Award-winning producer, engineer, mixer
MTR HPA-2
If you only need 2 pairs (as I do) the MTR HPA-2 is a superb piece of gear – if you need more, they do a similar 6-way 1u rack box. This gear is bombproof and sounds great – and works with pretty much any headphones and you will get oodles (?) of level
Phil Leigh, SOS, 10.3.01
McGregor Amplification – SS SERIES
I’ve owned a Mcgregor SS200 amp for over 12 years and bought it second hand myself, just thought you might like to know it is still running at full power 7 days a week without a single issue, it has out shined Crown’s, Peavey’s, Chameleon’s, etc. For 2 years of its life while being used by someone else it was also powering top 100w top cabs plus 250w Yamaha bass cabs and lived to tell the tale. I also have a Mcgregor bass amp head that is still one of my favorite sounding heads, beating all many Ashdowns, Ampegs, Crate, Wawrick, etc. Congratulations on great products that refuse to die!
Simon Cowling, simonc@carmelcentre.org 26.12.09
PACIFICA
I say this quite seriously: the Pacifica went immediately to the top of my list for recording electric guitar, not on the grounds that if it can make me sound good it must be brilliant, but on the grounds that what it delivered to tape was just what the PRS/Mesa should sound like, and does sound like live, but in my experience rarely does so on record.
Eric James, Sound On Sound, September 2009
PACIFICA
I bought a Pacifica for drum recordings. Before I got it, I searched the Internet for any drum recordings made with the Pacifica but I did not find anything. So I recorded drums on my own with the Pacifica and a pair of Avenson Audio Sto-2 Mics. Maybe this is interesting for your readers especially if they record drums also.
You find the recordings on:
http://www.soundcloud.com/studiodrummer
and on my German homepage:
http://www.kenohellmann.de/index.php/2011/12/16/a-designs-pacifica-preamp-fur-fette-drumsounds/Keno Hellmann, Germany
PACIFICA
After hearing so many good reports about the Pacifica I had to try one out for myself. Frankly I was stunned. Everything I have tracked with it has a beautiful air and sheen around it that just sit beautifully in the mix. It has brought my mic collection to life – both the expensive and the inexpensive. I am currently trying to offload as much gear as I can, and my soul if necessary, to get a bunch of them!
Ed Lewis, Chief Engineer, Giant Wafer Studios, Llandrindod Wells, U.K. (giantwafer@btinternet.com) 4th Jan 2007
PACIFICA
The Pacifica has the depth of the Neve, the top end of a GML and the punch of the API-all rolled into one great mic pre.
Tony Shepperd-Producer/Engineer/Mix/ Studio Owner: Back Street Boys, Lionel Richie, Kenny Loggins, Melissa Etheridge, Elton John, Indie
PACIFICA
I’ve put the Pacifica to work on absolutely everything imaginable over the last three months and I have yet to be disappointed.
Russ Long, Pro Audio Review, 31/10/2006
PACIFICA
In a room filled with a very wide selection of pres such as 550’s, 1073’s and many more, the Pacifica instantly became the most frequently used preamp.
Yoni Gileadi-films and music: IMAX Mysteries of Egypt, IMAX Texas: The Big Picture, IMAX Mystic India; Recordings/Remix: Kaskade, Backside, David Bowie mash-up remix, Love Digit, Sunfall, Sofina.
PACIFICA
Finally a mic pre and D.I. for those of us tired of squinting with our ears. Its the past-but the way I WANT to remember it.
Dylan Dresdow-Engineer/Grammy Award Nominee/ Tec Award Nominee/ Studio Owner: Black Eyed Peas, Ricky Martin, Tweet, Christina Aguilera, Indie
PACIFICA
If I had to start over, the Pacifica would be the first preamp I would buy. I’ve never heard a preamp with a 70’s character that has such an open top end. It’s the most versatile preamp in our collection of 11 types of preamps.
Jason Buntz-Engineer/ Studio Owner/ Indie
PACIFICA
My overall impression is that it sits in there like a nice cross between Neve-ish and API-ish tones but with better transient response and more high end detail…overall very musical. I swear it went another octave above the API and Great River. I can see it being an extremely versatile preamp that would get a lot of use on everything. Perfect for a small studio like mine that can’t afford to have 20 different specialty preamps.
Brad McGowan-Little Red Wagon Studios/ Engineer/ Indie
PACIFICA
Definitely a color that I could ‘paint’ the whole album with. I thought I was done buying preamps until this one arrived; it was like the last piece in the jigsaw puzzle that made the picture complete. Now, what am I going to tell my wife?
Barrett Nichols-Engineer/ Producer: Alpha Jerk Studio, Indie
PACIFICA
With thousands of dollars in vintage microphones at hand, only the Pacifica makes them sound the way I expect every time, now that I have heard it, no other mic pre will do.
Jeff Sheridan-Engineer/ Producer/ Studio Owner: Disney Voice Over, Disney’s 50th Anniversary Edition, Soundworks Studio, Indie
PACIFICA
If you are thinking something along the lines of an API pre, you really owe it to yourself to play around with the new A Designs Pacifica preamp. It has a similar feel/sound in the lows and mids (huge low end with slightly forward, but not obnoxious mids) but a top end that is extended and beautiful. On orchestral recording, it makes you sit up and take notice of the orchestra on the loud stuff, but yet has the subtlety needed for chamber music.
Benjamin Mass Engineer/Mix/Studio Owner: Fifth Circle Audio, Mancini Institute, Billy Childs, Bill Cunliffe, Randy Brecker, Bill Watrous, John Clayton, Christian McBride, Elmer Bernstein, Dave Grusin, Jerry Goldsmith, Eddie Daniels, Richard Stoltzman, Ernie Watts and Mark O'Connor, Indie
PACIFICA
A Designs Audio’s Pacifica is a perfect “10” Brains and Beauty!
Ted Perlman-Producer/Engineer/Composer/Musician/Studio Owner: Burt Bacharach, Bob Dylan, Neil Sedaka, Elton John, Carole King, Dolly Parton, Indie
PACIFICA
Now, my dilemma is that I want to keep the Pacifica even though I already own enough damn preamps. Should I sell one of the other ones? Damn.
Larry Crane, Engineer/Producer/Studio Owner/Tape Op Magazine: Indie
stageClix
I’m really chuffed with this system. Its high quality sound, high quality rugged build (unlike the Relay) and it is dead easy to use. Is it a must have? No, is it worth £400? Definitely if you have the money. Mines going nowhere !!!
paulmapp8306 MusicRadar.com
stageClix
..operation with my Strat has been exemplary. It’s so easy to use too, which I think is something that’s too often overlooked by engineers. I’m really enjoying using it. We played a gig in a theatre on Saturday night and I managed to run off stage, up a spiral staircase onto a balcony for the finale of our set – all without a hitch. Great fun!
Steven Lawson Editor, Total Guitar
stageClix
the Jack is so well designed, so well executed and delivers with such quality and reliability that we believe it justifies its price tag. An essential buy? Hardly. A good one? Undoubtedly. This Dutch-designed system seems to have addressed all our technical concerns with wireless devices.
Steven Lawson Editor, Total Guitar
stageClix
…I rather like the simplicity and effectiveness of the stageClix, and though it might cost a little more than a conventional system, it offers good noise performance without those dreadful compander side effects, which counts for a lot.
There’s also no question of it being outlawed when the digital TV switchover and expanding mobile device market eats up the existing radio mic frequencies.Paul White Editor in chief, Performing Musician