The stageClix “Pack” – redefining the benchmark in belt pack wireless systems. It brings the freedom of movement and superb sound quality that digital wireless offers to a new, higher level, serving a very wide range of performers and artists, and the answer to the Government sell-off of channels 61 & 69 etc. And all at the same price as a mid-range analogue system with none of it’s drawbacks:)
The transmitter has two inputs: a 3.5mm high impedance jack for instruments, and a 2.5mm jack with a pre-amp for miniature mics. With this combination, the “Pack” can offer wireless freedom to artists and performers who are using active & passive guitars, basses and other string instruments with pick-ups, keyboards, all brass-wind instruments, percussion, piano, vocal and presentation mics, etc.
The “Pack” continues to provide all the Unique Selling Points of the “Jack” for which stageClix is already famous – like rechargeable batteries, a receiver with a built in charger, 15 hours playing time on one charge, no menus, a frequency response of 10Hz to 20kHz ±3db (better than CD quality), 24 bit digital converters, no audible latency (2.4 ms), twelve user selectable channels, and unique triple-diversity (it uses three different frequencies at a time in any one band). And it operates in the 2.4GHz band, legal throughout the EU and beyond, and completely side-stepping analogue channel restrictions and licence requirements. Heavy weight features, but with a transmitter weighing only 72 grammes.
Some guitarists & bassists want to have the traditional ‘wired’ sound, with the typical top loss caused by cable capacitance, and for others using the system for brass-wind, presentation & broadcast purposes for example, a full range sound is more appropriate. The stageClix ‘Pack’ delivers both, and you can quickly switch between the two simply by pressing the transmitter button for more than 5 seconds.
In addition, the Pack comes with a 6.35mm to 3.5mm cable, two different belt clips, a Velcro cable strap, and a universal power supply with 4 interchangeable sets of pins (good for anywhere in the world), all housed in a foam-lined carry case.
And to round it all off, two professional microphones are available as optional extras – the QDE 0803 lavalier mic for broadcast / lecture use, and the QDE 0804 an excellent brass / woodwind clip-on mic with a very high SPL capability, also good for cabinet-mounting.
QDE 0804. A mini condenser clip-on mic for brass/wind instruments, such as trumpets, trombones, horns, clarinets and all saxophones. The goose neck design allows accurate microphone positioning, and it includes a mini shock-mount holder for capsule protection and mechanical noise rejection. The custom built capsule will capture the full range of any instrument with no distortion, providing an exceptionally clear and well balanced response. The horn clamp is included, set-up is quick and very flexible.
Polar pattern: Cardioid
Freq. response: 50Hz – 18kHz ± 3dB
Max input SPL: 135dB
Sensitivity: -65dB ± 3dB
Impedance: 1Kohm @1kHz
Volts: 1.5 to 10vDC
Sig/Noise Ratio: >65dB
Connector: 3.5mm gold plated jack
QDE 0803. This is a miniature broadcast quality condenser lavalier microphone. The detachable tieclip offers easy and flexible positioning, combined with a flat frequency response and wide dynamic range. Also excellent when used with instruments, a 2.5mm to 3.5mm converter cable is included so that this mic can be plugged into the unamplified socket.
Polar pattern: Omnidirectional
Freq. response: 20Hz – 20kHz ± 3dB
Sensitivity: -62dB ± 3dB
Impedance: 1K5 ohm @1kHz
Volts: 1 to 10vDC
Sig/Noise Ratio: >65dB
Connector: 2.5mm gold plated jack
Accessories: tie-clip, windscreen